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BOX SET CREDITS
Supervised by Jeff Fura
5.1 Surround Sound Mixed by Richard Chycki at Mixland, Ontario
5.1 Surround and Stereo Mastering by Andy VanDette at Masterdisk, NY
Head Archivist: Francois Lamoureux at FogoLabs Corp.
DVD Production Facility: Craigman Digital
Menu Design: Craig Anderson
Authoring: Craig Anderson and David Dieckmann
Art Direction: Michele Hone, Vartan
Design: Mike Diehl
Photo Research: Jo Almeida
Photos: Bruce Cole, Fin Costello, Richard Fegley, Gerard Gentil, David Street
Slipcase portrait: Deborah Samuel
Production Manager: Michele Horie
Product Manager: Rob Jacobs
Publicity: Sujata Murthy
Management: Ray Danniels at SRO Management, Inc., Toronto
Special thanks: Pegi Cecconi, Andy Curran, Anna LeCoche, Meghan Symsyk, Herb Agner, Hilary Remnant, Heather Kanipe, Elliot Kendall, Andrew Labarrere, Beatriz Pace, everyone at SRO/Anthem, Strobosonic, UMD and UMe.
© 2011 Anthem Entertainment / The Island Def Jam Music Group.
Neil Peart - Drums, orchestra bells, tubular bells, temple blocks, cowbells, wind chimes, bell tree, triangle, vibra-slap
Geddy Lee - Bass guitar, twelve string guitar, Mini Moog, bass pedal synthesizer, vocals
Alex Lifeson - Six and twelve string electric guitar, six and twelve string acoustic guitar, classical guitar, bass pedal synthesizer
Produced by Rush and Terry Brown
Recorded at Rockfield Studios, Wales, June 1977
Engineered by Pat Moran and Terry Brown (Broon)
Mixed at Advision Studios, London
Engineered by Terry Brown, Assisted by Declan
(not Norman!) O'Doherty and Ken Thomas
Art direction and graphics by Hugh Syme
Cover photography by Yosh Inouye
Sleeve photography by Roger Stowell
Liner photographs by Fin Costello
Design assistance by Bob King
Mastered at JAMF, Toronto by George Graves
(Remastered by Bob Ludwig and Brian Lee at
Gateway Mastering Studios, Portland, Maine)
Management by Ray Danniels, SRO Management, Inc., Toronto
Executive Production--Moon Records
Roadmaster and lighting director--Howard (Herns) Ungerleider
Concert sound engineer and effects consultant--Major Ian Grandy
Stage right technician--Liam (Elfbjörn) Birt
Stage left technician--Skip (Slider) Gildersleeve
Centre stage technician--Larry (The Saint) Allen
Stage Manager--Mike (Lurch) Hirsh
Chauffeur extraordinaire--(Ms.) Jorge Hoadley
Hello and thank you to National Sound and Crew, See Factor
Lighting and Crew (U.K. too!), Electrosound U.K. and Crew,
Graham The Coach Driver, Alans Moore and Kearsley, all at
Rockfield and Pat (Duffo) Moran, (Farewell to Kingsley),
Max Websters' Dancing and Crew, The Cult and Crew, Fabrissio,
The Percussion Centre, Tony (Old School Thai) Kelly,
Continental Tom Berry, and all our friends in the U.K.
(and everywhere!) we remember Brooklyn.
A special thank you to Dirk, Lerxst, and Pratt.
Our thanks also go out to the good people of Gibson Guitars,
Rickenbacker Guitars, and Slingerland Drums for their personal
help and consideration.
Dedicated to Nancy, Charlene, and Jacqueline
© 1977 Mercury Records © 1977 Anthem Entertainment
Alex Lifeson - Six and twelve string electric and acoustic guitars, classical guitar, Roland guitar synthesizer, Taurus pedals
Neil Peart - Drums, orchestra bells, bell-tree, tympani, gong, cowbells, temple blocks, wind chimes, crotales
Geddy Lee - Bass guitar, Mini-Moog, Oberheim polyphonic, Taurus pedals, vocals
Produced by Rush and Terry Brown
Arrangements by Rush and Terry Brown
Recorded at Rockfield Studios, Wales, during June and July 1978
Engineered by Pat Moran
Vocals recorded at Advision Studios, London
Engineered by Declan O'Doherty
Mixed at Trident Studios, Soho, London, August 1978
Engineered by Terry Brown with invaluable assistance from John Brand
Tape Operators (Trident): Simon Hilliard, Mike Donegoni, and Reno Ruocco
Mastered at Trident by Ray Staff
(Remastered by Bob Ludwig and Brian Lee at
Gateway Mastering Studios, Portland Maine)
Graphics by Hugh Syme
Art Directions by Hugh Syme and Bob King
Cover photography by Yosh Inouye
Inner sleeve and poster photography by Fin Costello
This album was processed through the Duffoscope!
Management by Ray Danniels, SRO Management Inc., Toronto
Executive Production: Moon Records
Roadmaster and Lighting Director: Howard (Herns) Ungerleider
Concert Sound Engineer and Crew Co-ordinator: Major Ian Grandy
Stage Manager: Michael (Lurch) Hirsh
Stage Right technician: Liam (Leaf) Birt
Stage Left technician: Skip (Slider) Gildersleeve
Centre Stage technician: Larry (Shrav) Allen
Guitar and synthesizer maintenance: Tony (Jack Secret) Geranios
Concert sound by National Sound and Electrosound (U.K.)
Concert Lighting by See Factor
Concert visuals produced by Rush and Nick Prince
Projectionist: Harry (keep the change) Dilman
Those daring drivers!: Bruce (The Pin) Aldrich (Howdy howdy!), Jwerg (Ah think Ah see the problem!) Hoadley, Mike (Say Guy!) Morrison, and Tom (Zig-Zag) Whittaker
The Wonderful Persons List: Austen Fagen, Abe Schon, The UFO'S, the Max Websters, the Pat Travers Band, the Monks, Bert the driver, Fin Costello, Ruke Bernstein, Joe Bombase, Young Ward, Jerry Mickelson, Arny Granat, Bubble and Squeak, all at SRO and all at Rockfield, Advision, and Trident
© 1978 Mercury Records © 1978 Anthem Entertainment
Alex Lifeson - Six and twelve string electric and acoustic guitars, Taurus pedals
Neil Peart - Drums, tympani, timbales, orchestra bells, tubular bells, wind chimes, bell tree, triangle, crotales
Geddy Lee - Bass guitars, Oberheim polyphonic, OB-1, Mini Moog, and Taurus pedal synthsizers, vocals
Produced by Rush and Terry Brown
Arrangements by Rush and Terry Brown
Recorded at Le Studio, Morin-Heights, Quebec, during September and October 1979
Engineerd by Paul Northfield
With general assistance from Robbie Whelan
Mixed at Trident Studios, Soho, London, in November 1979
Engineerd by Terry Brown
Assisted by Adam Moseley, Craig Milliner, and Geddy Lee, with cameo appearances by Steve S. Hort
Mastered by Bob Ludwig and Brain Lee at Gateway Mastering Studios, Portland, Maine
Special featured guest: Hugh Syme, piano on "Different Strings"
Inspiration and vocal coaching by Daisy the Dog
Steel drums by Erwig Chuapchuaduah
Art Direction and graphics by Hugh Syme
Cover concept by Hugh Syme and Neil Peart
Photography by Fin Costello, Flip Schulke and Deborah Samuel
Cover girl couturière: Ou la la
Colour collaboration: Peter George
Pilot of Juliet Foxtrot Kilo: Mike Deere
Management: Ray Danniels, SRO Management, Inc., Toronto
Executive Production: Moon Records
Road manager, lighting director, and assistant to Mr. Shreve: Howard (Herns) Ungerleider
Stage manager: Michael (Lurch) Hirsh
Concert sound engineer: Ian (the Weez) Grandy
Stage right technician: Liam (Punjabi) Birt
Stage left technician: Skip (Slider) Gildersleeve
Centre stage technician: Larry (Shrav) Allen
Guitar and synthesizer maintenance: Tony (Jack Secret) Geranios
Electrical technician: Ted (Theo) McDonald
Stage Monitor mixer: Gred (Gordie) Connolly
Projectionist: Harry (Tex) Dilman
Personal Shreve: Sam (Shreve) Charters
Concert sound by National Sound and Electrosound (U.K.)
Concert lighting by See Factor International
Concert rigging by Bill Collins
All of the above was transported by the skilled hands of: Tom (Whitney) Whittaker, Pat (No. 9) Lines, Arthur (Mac) MacLear, Gene Guido, and Tim Lewis
Honourable mentions: Moe Kniffman, Nick Kotos, George (Ike) Guido, Bob (Puppy) Cross, John LeBlanc, Bill Churchman, Dave (Shreve 1) Donne, Fuzzy Frazer, Dave Burman, Helmut, Nick Prince, Graham (Wild Man) Hewitt, Sgt. Rock & Easy Co., Second City Television, Lakewoods Farm, The Sound Kitchen, Lefty, D.K.D., Steve Herns, Le Studio: Andre, Yael, Pam, Kim, Carole, and Roger, Andre & La Barratte, the Wines & Crew, FM & Crew, Wireless & Crew, The Maxoids, Marvin Gleicher, Brian Robertson, Jimmy Bain, Michael Schenker, the Projectors, Peter Mensch, the P.M., Bob (the Grove) Snelgrove, the inmates of the Great Fog, Gerry Griffin, Lee Scherer, and their families and friends at NASA, Henry Spencer and baby, Le Mont St. Michael, the Montcalm, vin-du-hairface, volleyball, Space Invaders (10p), euchre, Malibu Grand Prix, hockey--Steve Shutt and Larry Robinson, thanks for the sticks!, M*A*S*H, The Jack Secret Show, Rickey, Lucy, and Ethel, (Where's Fred?), Neal and Larry at the Percussion Centre, all at Oak Manor, and all at Trident. Ho-Hoo!
We express our appreciation to the fine people and instruments of Gibson, Moog, Tama drums, Rickenbacker, and Sunn amplification
© 1980 Mercury Records © 1980 Anthem Entertainment
Geddy Lee - Bass guitars, Oberheim polyphonic; OB-X; Mini-Moog; and Taurus pedal Synthesizers, vocals
Alex Lifeson - Six and twelve string electric and acoustic guitars, Taurus Pedals
Neil Peart - Drums kit, timbales, gong bass drums, orchestra bells, glockenspiel, wind chimes, bell tree, crotales, cowbells, plywood
Produced by Rush and Terry Brown
Arrangements by Rush and Terry Brown
Recorded and mixed at Le Studio, Morin Heights, Quebec, during October and November, of 1980
Engineered by Paul Northfield
Assisted by Robbie Whelan, and our computerized companions: Albert, Huey, Dewey, and Louie
Digital mastering engineered by Peter Jensen
Hugh Syme is the featured guest performer once again, playing synthesizers on 'Witch Hunt'
Art direction, graphics and cover concept by Hugh Syme
Photography by Deborah Samuel
Mastered at by Bob Ludwig and Brian Lee at Gateway Mastering Studios, Portland, Maine
Management by Ray Danniels, SRO Management, Inc., Toronto
Executive Production: Moon Records
Road Manager and Lighting Director: Howard Ungerleider
Concert Sound Engineer: Ian Grandy
Stage Manager: Michael Hirsh
Stage Right Technician, and Crew Chief: Liam Birt
Stage Left Technician: Skip Gildersleeve
Centre Stage Technician: Larry Allen
Guitar and synthesizer Maintenance: Tony Geranios
Stage Monitor Mixer: Greg Connolly
Projectionist: Lee Tenner
Personal Shreve and Factotum: Kevin Flewitt
Concert Sound by National Sound
All-Stars: Tom Linthicum, Fuzzy Frazer, Dave Berman
Concert Lighting by See Factor International
Easy Co.: Nick Kotos, George Guido, Bob Kniffen, Bob Cross
Concert Rigging: the daring Bill Collins
Transportation expertly guided by Tom Whittaker, Billy Barlow, Kim Varney, Arthur MacLear, Pat Lines, Bill Fuquay, Mike and Linda Burnham
Fabulous Persons: at Le Studio: André, Yaël, Pam, Paul, Robbie, Roger, Harry, Claude & Gisele, André et Le Bouffe en Broche, Ted (Theo) McDonald, Irv Zuckerman & Associates (The Beords), Brain (Vings) Laski, George Vis, Ted Veneman, Max Lobstors, Saga & crew, 38 Special & crew (27-24), Drexel, Gerry, Griffin & Family, Terri at the Hawkins farm, Asteroids, volleyball (the Retardos & the Frantics 21-8!), the Greenie (you must be drinking!), Bill Ward, Loveman, Lovewoman & The Lovemachine, Scar & The Ignorant Wildfire Game, Top Secret, the Montreal Canadiens, Steven Shutt, Screvato, Robin & Phase One, Bill Elson, Cliff Burnstein, Jim Sotet, Sherry Levy, and the Oak Manorians.
Special British Supplement: Wild Horses; Jimmy & Sophie, Brian & Dee, Clive, Dirk (no relation), Mr. & Mrs. Robinson, Fin Costello, Bill Churchman, Alan Philips, Barry Murfet, Tex Yodell, Lofty & Stage Crew, Steve Tuck, Robbie Gilchrist
Dept. of Above-And-Beyond: Ray, Rhonda, L.B., Dear Olde Broon (a great mind thinks alike), Happy Birthday Ms. Broon (wrong again, eh, Hovis!)
Featuring Daisy as 'Ski Bane'
Our continuing appreciation to the people and products of Tama, Avedis Zildjian, and Rickenbacker
Coolidge Dog Painting from the Archives of Brown & Bigelow, St. Paul, Minnesota
Correspondance: P.O. Box 640, Thornhill, Ontario, Canada L3T 4A5
Red Barchetta inspired by "A Nice Morning Drive" by Richard S. Foster
© 1981 Mercury Records © 1981 Anthem Entertainment
Geddy Lee - Bass guitar, vocals, synthesizers, bass pedal synthesizer, and occasional rhythm guitar
Alex Lifeson - Electric and acoustic guitars, bass pedal synthesizer
Neil Peart - Drums and percussion
Produced by Terry Brown
A Passage To Bangkok, Closer To The Heart, Beneath, Between & Behind, and Jacob's Ladder recorded in the U.K. by Mobile One
Engineered by Andy Rose, Tech-man Barry Ainsworth
Set-up by Tim and James
The Spirit Of Radio, Red Barchetta, YYZ, Broon's Bane, The Trees, Xanadu, Freewill, Tom Sawyer and La Villa Strangiato recorded in Canada by Le Mobile
Engineered by Broon, Tech-man Guy Charbonneau
Set-up by Cliff
And by the Record Plant Mobile
Engineered by Broon, Tech-man Jack Crymes
Set-up by Mark and Hutch
Mixed at Le Studio, Morin Heights Quebec
Engineered by Paul Northfield
Mastered by Bob Ludwig and Brian Lee at
Gateway Mastering Studios, Portland, Maine
Art Direction, graphics, and cover concept by Hugh Syme
Photography by Deborah Samuel
Special guest, Ian Melhuish as the Puppet King
Management by Ray Danniels,
SRO Productions, Inc., Toronto
Executive Production by Moon Records
Road Manager and Lighting Director: Howard Ungerleider
Concert Sound Engineer: Jon (Mushy) Erickson
Stage Manager: Michael Hirsh
Stage Right Technician and Crew Chief: Liam (Calculator-Head) Birt
Stage Left Technician: Skip Gildersleeve
Centre Stage Technician: Larry (The Green Shrav) Allen
Guitar and Synthesizer Maintenance: Tony (Jack Public) Geranios
Stage Monitor Mixer: Greg Connolly
Security Chief: Ian Grandy
Projectionist: Lee Tenner
Personal Shreve: Kevin (Barney Rubble) Flewitt
Concert Sound By: National Sound--Tom Linthicum, Dave Berman, and Fuzzy Frazer
Concert Lighting by See Factor International--Nick Kotos, Mike Weiss, Mark Cherry, John Quinton, Steve Tuck, Robbie Gilchrist, et cetera
Bus and Truck-Faces-Tom Whittaker, Pat Lynes, Mac MacLear, Billy Barlow, Richard Owens, Steve Connelly, and Al Posner
U.K. transportation by Edwin Shirley Trucking, Len Wright Travel, and "The Red Flash" - Bill Churchman
Concert Rigging by Bill Collins-Southfire Rigging
People of the Wonderful Thing: The cast and crew of Le Studio, especially André for making the new all-colour Jack Secret Show a reality, Raru Ponce de Leon, Dr. Carl Zbourg, Major Seventh, Lou, Suzanne, Ronnie, Bjorn Erlichmann the Stunned Man, Punjabi, Dirk the Cameraman, and Daisy O'Williams and the Dogmatics, The Fabulous Projecting Men, featuring a Chorus of Fools, Nick the cat, Explosion Magazine, the lovely Rushka, Joe E. Ross-ooh ooh!, the people of Fooland, the Expos, the Great White North, and the members and crew of "FM" for their important comedic and musical support--Öfshnatzen d'Rötz!!
Max Webster R.I.P.
This album is dedicated to the world-renowned they--(Slider's uncles, Eddie and Glen).
Alex's performance in Broon's Bane is dedicated to Elliot.
A special tribute to the Glaswegian Chorus for the backround vocals on Closer To The Heart. Nice one, folks!
Our personal thank you to the Griffin family for their wonderfulness, and to the people of NASA for their spectacular launch of the Columbia which we were privileged and thrilled to witness.
We also should include a (loose) translation for the new lyrics to the Danforth and Pape section of La Villa Strangiato
"Patty-cake, patty cake,
Mother's going to buy you shoes,
Father's going to buy you socks,
Baby's going to have red cheeks."
Enough said.
Well, just a few more words! In seven years of touring we have made many friends in many different places. Some have worked for us, some have cheered for us, and some have just been nice to us.
For reasons beyond our comprehension, we have become increasingly more popular, and hence stretched ever more thinly among ever more people.
If sometimes we can't give the time they deserve to our friends and loved ones, we hope that they will understand and forgive us.
After all, we didn't change, everybody else did!
© 1981 Mercury Records © 1981 Anthem Entertainment
Sectors Box Set (Review) - Classic Rock Presents: PROG Magazine, December 2011 Sectors Box Set (Review) - Sound and Vision Magazine, February 2012
1. The Spirit of Radio (5:12)
2. Red Barchetta (6:48)
3. YYZ (7:44)
4. A Passage To Bangkok (3:47)
5. Closer To The Heart (3:09)
6. Beneath, Between and Behind (2:34)
7. Jacob's Ladder (8:47)
8. Broon's Bane (1:37)
9. The Trees (5:50)
10. Xanadu (12:10)
11. Freewill (5:33)
12. Tom Sawyer (5:01)
13. La Villa Strangiato (An Exercise in Self-Indulgence) (9:38)
A modern-day warrior
Mean mean stride
Today's Tom Sawyer
Mean mean pride
Though his mind is not for rent
Don't put him down as arrogant
His reserve, a quiet defense
Riding out the day's events -
The river
What you say about his company
Is what you say about society
-Catch the mist - Catch the myth
-Catch the mystery - Catch the drift
The world is the world is
Love and life are deep
Maybe as his skies are wide
Today's Tom Sawyer
He gets high on you
And the space he invades
He gets by on you
No, his mind is not for rent
To any god or government.
Always hopeful, yet discontent
He knows changes aren't permanent -
But change is
What you say about his company
Is what you say about society
-Catch the witness - Catch the wit
-Catch the spirit - Catch the spit
The world is the world is
Love and life are deep
Maybe as his eyes are wide
Exit the warrior
Today's Tom Sawyer
He gets high on you
And the energy you trade
He gets right on to
The friction of the day
My uncle has a country place, that no-one knows about
He says it used to be a farm, before the Motor Law
Sundays I elude the 'Eyes', and hop the Turbine Freight
To far outside the Wire, where my white-haired uncle waits
Jump to the ground
As the Turbo slows to cross the borderline
Run like the wind
As excitement shivers up and down my spine
Down in his barn
My uncle preserved for me an old machine -
For fifty-odd years
To keep it as new has been his dearest dream
I strip away the old debris, that hides a shining car
A brilliant red Barchetta, from a better, vanished time
Fire up the willing engine, responding with a roar!
Tires spitting gravel, I commit my weekly crime...
Wind in my hair -
Shifting and drifting -
Mechanical music
Adrenalin surge -
Well-weathered leather
Hot metal and oil
The scented country air
Sunlight on chrome
The blur of the landscape
Every nerve aware
Suddenly ahead of me, across the mountainside
A gleaming alloy air-car shoots towards me, two lanes wide
I spin around with shrieking tires, to run the deadly race
Go screaming through the valley as another joins the chase
Drive like the wind
Straining the limits of machine and man
Laughing out loud
With fear and hope, I've got a desperate plan
At the one-lane bridge
I leave the giants stranded
At the riverside
Race back to the farm
To dream with my uncle
At the fireside...
Instrumental
Living on a lighted stage
Approaches the unreal
For those who think and feel
In touch with some reality
Beyond the gilded cage
Cast in this unlikely role,
Ill-equipped to act
With insufficient tact
One must put up barriers
To keep oneself intact
Living in the Limelight
The universal dream
For those who wish to seem
Those who wish to be
Must put aside the alienation
Get on with the fascination
The real relation
The underlying theme
Living in a fisheye lens
Caught in the camera eye
I have no heart to lie
I can't pretend a stranger
Is a long-awaited friend
All the world's indeed a stage
And we are merely players
Performers and portrayers
Each another's audience
Outside the gilded cage
Grim-faced and forbidding
Their faces closed tight
An angular mass of New Yorkers
Pacing in rhythm
Race the oncoming night
They chase through the streets of Manhattan
Head-first humanity
Pause at a light
Then flow through the streets of the city
They seem oblivious
To a soft spring rain
Like an English rain
So light, yet endless
From a leaden sky
The buildings are lost
In their limitless rise
My feet catch the pulse
And the purposeful stride
I feel the sense of possibilities
I feel the wrench of hard realities
The focus is sharp in the city
II
Wide-angle watcher
On life's ancient tales
Steeped in the history of London
Green and grey washes
In a wispy white veil
Mist in the streets of Westminster
Wistful and weathered
The pride still prevails
Alive in the streets of the city
Are they oblivious
To this quality?
A quality of light
Unique to every city's streets.
Pavements may teem
With intense energy
But the city is calm
In this violent sea
The night is black
Without a moon
The air is thick and still
The vigilantes gather on
The lonely torchlit hill
Features distorted in the flickering light
The faces are twisted and grotesque
Silent and stern in the sweltering night
The mob moves like demons possessed
Quiet in conscience, calm in their right
Confident their ways are best
The righteous rise
With burning eyes
Of hatred and ill-will
Madmen fed on fear and lies
To beat, and burn, and kill
They say there are strangers, who threaten us
In our immigrants and infidels
They say there is strangeness, too dangerous
In our theatres and bookstore shelves
That those who know what's best for us -
Must rise and save us from ourselves
Quick to judge,
Quick to anger
Slow to understand
Ignorance and prejudice
And fear
Walk hand in hand
Unstable condition:
A symptom of life,
In mental,
And environmental change
Atmospheric disturbance -
The feverish flux,
Of human interface
And interchange
The impulse is pure -
Sometimes our circuits get shorted,
By external interference
Signals get crossed -
And the balance distorted
By internal incoherence
A tired mind become a shape-shifter
Everybody need a mood lifter
Everybody need reverse polarity
Everybody got mixed feelings
About the function and the form.
Everybody got to deviate
From the norm
An ounce of perception -
A pound of obscure
Process information
At half speed
Pause:
Rewind - replay -
Warm memory chip
Random-sample -
Hold the one you need
Leave out the fiction
The fact is;
This friction
Will only be worn by persistence
Leave out conditions
Courageous convictions
Will drag the dream into existence
A tired mind become a shape-shifter
Everybody need a soft filter
Everybody need reverse polarity
Everybody got mixed feelings
About the function and the form
Everybody got to elevate
From the norm...
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